The Workshops
Join Tanaïs for A Sense of a Story: A Generative Non-Fiction Writing & Perfuming Workshop:
hosted in one of Jnane Tamsna's gardens.
Writer and perfumer Tanaïs invites participants to infuse their writing with a record of sensory details of their everyday lives, which make prose feel electric, embodied and alive. Through readings, discussion, generative writing from students’ field notes on the grounds of Jnane Tamsna, we explore new rhythms of writing, deepening how we live in our bodies, access our memories and retell them in potent writing.
Gather for Cleyvis Natera's "Writer as Activist, Literature as Revolution" generative workshop, hosted on the grounds of the beautiful Bab Ourika Resort.
This generative workshop analyses literary revolutions through an intersectional view of justice and guides participants through writing prompts that will serve as a jumping off point for a short story to be written after the class.
Through a close reading and discussion of an excerpt of Maisy Card's "The True Death of Abel Paisley," we will hone our understanding of the writer as activist and literature as revolution. Following the discussion of the chapter, there will be a short craft conversation about critical elements to achieve a compelling, propulsive short story. We will then turn our attention to guided prompts that will culminate with the participants sharing their work.
Sit with Camille Dungy in one of Jnane Tamsna's gardens after a cultural walk through the medina : "Wherever You Go, There You Are: Writing Well-Rooted Work Anywhere":
When asked about the place she called home, a woman who lived thousands of miles away from where we stood said, “Right here.” I looked around and cataloged all the differences between that place and the woman’s far away town. Then I began to notice the similarities. As if I circled the globe’s great orb and came back to the same spot, both different and the same. “As long as I’m connected to this,” she said, holding one hand to her heart and making a wide sweep with the other, “I am home.” What do you hold onto or point toward when you describe the place that you call home? Attending carefully to sense, perceptions, body, landscape, history, and hope, generative writing exercises and stimulating conversations will get you writing in a deeply grounded way about where you think you are, who you think you are, and where (and who) you might be after all.
Nana Kwame Adjei-Brenyah invites you to a 3 session writing workshop about "Living the Surreal":
In Fiction we have the power to play with reality, to describe things as they feel sometimes transcending how they are to do so. In writing the surreal, we represent feeling by enhancing, or manipulating the familiar and pushing it to the fantastic.
Over several days we will learn the potential benefits and pitfalls of working with the fantastic, we will mine our lives for feeling that might be represented in this fictive form and we will make magic of ourselves.